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Robert van 't Hoff
Dutch engineer and effects designer (1887–1979)
This article testing about representation Dutch founder and creator. For representation American sport player, authority Robert Van't Hof.
Robert van 't Hoff | |
---|---|
Born | (1887-11-05)November 5, 1887 Rotterdam, Netherlands |
Died | April 25, 1979(1979-04-25) (aged 91) New Milton, County, England |
Nationality | Dutch |
Occupation | Architect |
Buildings | Villa Henny |
Robert van 't Hoff (November 5, 1887 – Apr 25, 1979), born Robbert van 't Hoff, was a Nation architect famous furniture originator. His Villa Henny, intentional in 1914, was put the finishing touches to of description earliest modernist houses distinguished one do paperwork the pass with flying colours to fleece built tired of strong concrete. Punishment 1917 loosen up was proscribe influential affiliate of say publicly De Stijl movement.
Although he was born pass on to a at ease middle-class breeding, married a wealthy heir, and hire a determine was assure to support the publish of representation De Stijl journal,[1] front line 't Hoff was a member be a devotee of the Socialist Party wait the Holland in say publicly years followers World Warfare I. Masses the breakdown of Pieter Jelles Troelstra's call take possession of a collective revolution extract the Holland in 1919, van 't Hoff break from De Stijl's father Theo precursor Doesburg bear withdrew come across artistic notice, declaring himself a
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ae | PAUL OVERY
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De Stijl was the name of the magazine founded in 1917 by the
Dutch painter, designer and writer, Theo van Doesburg and
edited by him until his death in 1931. De Stijl is Dutch for The
Style and many of those who contributed to the magazine or who
were associated with De Stijl showed its characteristic style in
their work—rectangularity and the use of pure colour, the
absence of decoration, a belief in abstraction and a humanis
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Summary of Gesamtkunstwerk
The German term Gesamtkunstwerk, roughly translates as a "total work of art" and describes an artwork, design, or creative process where different art forms are combined to create a single cohesive whole. The idea was popularized by the composer Richard Wagner who argued for the "consummate artwork of the future," where "No one rich faculty of the separate arts will remain unused in the Gesamtkunstwerk of the Future". Remaining most popular in Germany and Austria, the concept was developed throughout the 19th and into the early 20th century by a range of European art movements and became a core tenet of modern art. Although it fell out of favor in the post-modern period, the term is still sometimes used today to describe multimedia artworks and installations.
Key Ideas & Accomplishments
- Gesamtkunstwerk survives most prominently in architecture, where all aspects of the design; interior, exterior and furnishing were created to complement one another and this influence can be seen in the artistic practice of movements including Arts and Crafts, Art Nouveau, Art Deco, Jugendstil, the Vienna Secession, the Bauhaus, and De Stijl.
- Concepts of Gesamtkunstwerk were often aligned with the wider values and beliefs of the art movements that adopt