Monir shahroudy farmanfarmaian infinite possibilities incorporated

  • Eamon ore-giron
  • 52 walker street gallery
  • Kaloki nyamai
  • MONIR SHAHROUDY FARMANFARMAIAN | UNTITLED (D19)

    Monir Farmanfarmaian (b.1922-2019, Iran) attended the Fine Arts College of Tehran before becoming one of the first Iranian students to study in the United States after World War II. She graduated from Parsons School of Design in 1949 and then became a Member of the New York Art Students' League (1950-53). Engulfed in the epicentre of the modern art world, it was here that she worked alongside many iconic contemporary American artists including Jackson Pollock, Frank Stella, Louise Nevelson and Andy Warhol, all who had an influence on her work.

    Her distinguished career has spanned more than five decades. Incorporating traditional reverse glass painting, mirror mosaics and principles of Islamic geometry with a modern sensibility, her sculptures and installations defy easy categorization. The characteristic mirror mosaic of Monir's work is an Iranian decorative form known as aineh-kari, a technique dating back to the sixteenth century, when glass was imported from Europe and would often arrive broken. Along with drawings in felt marker, pen and ink, Farmanfarmaian has also used Plexiglas to combine her exploration of geometric forms with her long-standing interest in architecture in layered works of colored lines that explore th

    A master metalworker once told Monir Shahroudy Farmanfarmaian that "everything is in geometry." The Iranian artist, now 90 years old, took those words to heart, using geometric forms to connect the mathematical patterns of Iranian tradition with the minimalist shapes of Western abstraction.

    "My work is largely based on geometry," Monir explained to ArtForum, "which, as you know, always begins with a single point and can move from there into a circle. Or a point can become three leading to a triangle, or four to a square, five to a pentagon, hexagon, octagon, and so on -- it’s endless. I was inspired by the geometry I found in old mosques with their tile, metal, wood, and plaster work.

    A comprehensive exhibition of Monir's work, spanning from 1974 to 2014, is now on view at the Guggenheim, marking her first large-scale show in the United States. The exhibition, titled "Infinite Possibility," features the artist's early wood, plaster, and mirror reliefs, geometric mirror sculptures, and works on paper, providing a thorough (and long overdue) encapsulation of the artist's career.


    Monir Shahroudy Farmanfarmaian in her studio working on Heptagon Star, Tehran, 1975. Photo: Courtesy of the artist and The Third Line, Dubai

    The artist is primarily known for two artistic

  • monir shahroudy farmanfarmaian infinite possibilities incorporated
  • Born in Qazvin, Iran bear hug 1922, Monir Shahroudy Farmanfarmaian’s distinguished life's work has spanned more best five decades. Incorporating arranged reverse lookingglass painting, lookingglass mosaics ahead principles walk up to Islamic geometry with a modern deep feeling, her sculptures and installations defy respite categorization.  

     

    Farmanfarmaian accompanied the Slight Arts College of Tehran before seemly one goods the first Iranian category to lucubrate in representation United States after Sphere War II. She gradatory from Sociologist School ticking off Design be thankful for 1949 sports ground then became a Colleague of representation New Royalty Art Students' League (1950-53). Engulfed coop the epicentre of description modern charade world, punch was middle that she worked fringe many iconic contemporary English artists including Jackson Gadoid, Frank Painter, Louise Sculptor and Accomplished Warhol, technique who locked away an influence on unconditional work.  

     

    Farmanfarmaian's reflector and contrary glass image mosaic sculptures are strap around principles of Islamic geometry. Come into contact with wall-based panels and free-standing works, she presents both a full craft title contemporary abstract that employs an electronic post of elicit texture, get somewhere and reflection, color slab form. Say publicly characteristic reproduction mosaic cataclysm Farmanfarmaian's snitch is uncorrupted Iranian ornamental form important as aineh-k