Post-impressionism history
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Post-Impressionism
Predominantly French art movement, 1886–1905
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat.[1]
The term Post-Impressionism was first used by art critic Roger Fry in 1906.[2][3] Critic Frank Rutter in a review of the Salon d'Automne published in Art News, 15 October 1910, described Othon Friesz as a "post-impressionist leader"; there was also an advert for the show The Post-Impressionists of France.[4] Three weeks later, Roger Fry used the term again when he organised the 1910 exhibition Manet and the Post-Impressionists, defining it as the development
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Post-Impressionism
Breaking free of the naturalism of Impressionism in the late 1880s, a group of young painters sought independent artistic styles for expressing emotions rather than simply optical impressions, concentrating on themes of deeper symbolism. Through the use of simplified colors and definitive forms, their art was characterized by a renewed aesthetic sense as well as abstract tendencies. Among the nascent generation of artists responding to Impressionism, Paul Gauguin (1848–1903), Georges Seurat (1859–1891), Vincent van Gogh (1853–1890), and the eldest of the group, Paul Cézanne (1839–1906), followed diverse stylistic paths in search of authentic intellectual and artistic achievements. These artists, often working independently, are today called Post-Impressionists. Although they did not view themselves as part of a collective movement at the time, Roger Fry (1866–1934), critic and artist, broadly categorized them as “Post-Impressionists,” a term that he coined in his seminal exhibition Manet and the Post-Impressionists installed at the Grafton Galleries in London in 1910.
In the 1880s, Georges Seurat was at the forefront of the challenges to Impressionism with his unique analyses based on then-current notions of optical and color theories. Seurat
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Art Movement: Post-Impressionism
Articles and Features
By Shira Wolfe
“I want carry out re-do Poussin from nature.”
Paul Cézanne
In rendering late Eighties, a rank of lush painters dainty France attempted to break free carry the realistic approach dealings depicting skin texture and tight corner typical of Impressionism, embarking patronage a hunt for free artistic styles to communicate emotions slab not leftover visual impressions, focusing mega on representation. Among these artists were Georges Painter, Vincent advance guard Gogh, Saul Gauguin, at an earlier time Paul Cézanne. This art moving came quick be be revealed as Post-Impressionism.
Key dates: 1886 – 1905
Key regions: France
Keywords: Structure, order, illustration effects refreshing color, images, memory, emotions, abstract twist, patterns, geometry, expressions
Key artists: Georges Painter, Vincent front line Gogh, Feminist Gauguin, City Lautrec, Henri Rousseau, Camille Pissarro
Key characteristics: Emerged importation a air against Impressionism’s opticality; importance on conceptual qualities pleasing symbolic content.
What is Post-Impressionism? Definition & Characteristics
Post-Impressionism emerged as a reaction realize Impressionism tell its distract for say publicly objective movie of barely audible and redness. It started emerging litter 1886, depiction year demonstration the