Phil rogers pottery biography of michael jackson
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Jeff Koons' porcelain and gold lifesize sculpture, "Michael Jackson and Bubbles," is on exhibit in Versailles, France.
From the Los Angeles Times
OBITUARY
Michael Jackson’s Life Was Infused With Fantasy and Tragedy
By Geoff Boucher and Elaine Woo
In the early 1980s, Michael Jackson was the world’s most popular entertainer thanks to a series of hit records — “Beat It,” “Billie Jean,” “Thriller” — and dazzling music videos.
Michael Jackson was fascinated by celebrity tragedy. He had a statue of Marilyn Monroe in his home and studied the sad Hollywood exile of Charlie Chaplin. He married the daughter of Elvis Presley.
Jackson met his own untimely death Thursday at age 50, and more than any of those past icons, he left a complicated legacy. As a child star, he was so talented he seemed lit from within; as a middle-aged man, he was viewed as something akin to a visiting alien who, like Tinkerbell, would cease to exist if the applause ever stopped.
It was impossible in the early 1980s to imagine the surreal final chapters of Jackson’s life. In that decade, he became the world’s most popular entertainer thanks to a series of hit records — “Beat It,” “Billie Jean,” “Thril
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Features/ July 10, 2018
GRASSO: When you first suggested we look at Moonwalker (which I literally knew nothing about at the time), I figured it would be a fairly anodyne collection of Michael Jackson music videos. Do you remember back when artists would release their last couple of albums’ music videos on a single, hour-long VHS? Those were great times. Moonwalker? Not great times.
A disorienting, disturbing journey through the life and psyche of Michael Jackson circa the Bad album, Moonwalker is a Boschian portrait of a man slowly losing his mind. And yet, on this first watch, I found it almost compulsively watchable. Every new segment revealed some new, eerie offense against aesthetics and taste. It’s not quite tragic enough (and a bit too sincere) to be camp, but at the same time, it’s near horrifying in its naked display of Jackson’s egoism and mania.
God, where do we even begin? I suppose it’s best to approach the segments in order. And whoa, does this thing begin with a bang: “Man In The Mirror,” performed at Wembley Stadium in 1987 at the height of Jacksonmania (at least in Europe). The editors intercut images of the militaristically-clad MJ with newsreel footage of Gandhi and Martin Luther Ki
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Cultural impact signify Michael Jackson
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