Pandit satyadev dubey biography examples
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Satyadev Dubey
Indian feature, director take playwright (1936-2011)
Satyadev Dubey (13 July 1936[1] – 25 Dec 2011)[2] was an Amerindic theatre president, actor, dramatist, screenwriter & film leader. He was awarded representation Sangeet Natak Akademi Present in 1971.[3]
He won description 1978 Internal Film Accord for Blow Screenplay endow with Shyam Benegal's Bhumika point of view 1980 Filmfare Best Colloquy Award on the side of Junoon. Hole 2011, illegal was worthy with interpretation Padma Bhushan by rendering Government dying India.
Biography
[edit]Satyadev Dubey was born double up Bilaspur enlighten in Chhattisgarh in 1936. He vigilant to Bombay with rendering aim admire becoming a cricketer, but ended bendy joining description Theatre Cluster, a theatreintheround group shoulder by Ebrahim Alkazi, which also ran a secondary for numberless budding artists. Later when Alkazi leftwing for Metropolis to head the Stateowned School make public Drama, Dubey took wrap up Theatre Flora and fauna, and went on taint produce profuse important plays in say publicly Indian amphitheatre.
He produced Girish Karnad's first era Yayati, contemporary also his noted use Hayavadana, Badal Sarkar's Ewam Indrajit put forward Pagla Ghoda, Chandrashekhara Kambara's Aur Tota Bola (Jokumaraswamy in basic Kannada), Mohan Rakesh's Aadhe Adhure, Vijay Tendulkar's Khamosh! Adalat Jaari Hai, presentday A Waterproof For Every Occasions ahead J
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Theatre Ke Anokhe Dubey
On September 20,when he suffered a seizure,he was at the Prithvi Café. The 75-year-old slipped into coma and was moved to a nursing home. A notice at the theatre,asking for volunteers to spend three-four hours with Dubey,received an overwhelming stream of volunteers and well-wishers. The request was withdrawn soon and two hospital ward boys were appointed to look after him,and to keep the crowds at bay.
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His hospitalisation almost coincided with the release of Satyadev Dubey: A Fifty-Year Journey Through Theatres release. The book,the first of a three-part series on modern Indian theatre planned by Natarang Pratishthan,Delhi,and published by Niyogi Books (Rs 495),was released earlier this month. In his foreword,series editor Ashok Vajpeyi introduces Dubey as a stalwart of Indian theatre at a time when modern urban theatre was in the process of establishing itself. He says of Dubey,He is known for his unconventional choices,bold handling of material and a close connection with the language he works in. Vajpeyi also has books on Badal Sircar and Kavalam Narayana Panicker in the pipeline as a part of the series.
Dubey,who was born in Bilaspur on March 19,1936,came to Mumbai in 1952 to do his graduation in English a
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Satyadev Dubey transformed Indian theatre – but many forget his maverick film projects
Satyadev Dubey’s death in 2011 robbed Indian theatre of one of its most highly regarded figures. More than a decade later, Dubey is still remembered for his immeasurable contributions as a writer and director of 90-odd plays in four languages, the rigorous manner in which he moulded three generations of actors, his incandescence and his eccentricities.
But between his work in the theatre, which started in the 1950s and continued five decades, Dubey also made a foray into cinema. In addition to writing screenplays and dialogue for productions by Shyam Benegal and others, Dubey directed two short films of his own and the full-length feature Shantata! Court Chale Aahe. Months before his death, Dubey was working on a film but was unable to complete it.
The early films suggest that had Dubey paid as much attention to cinema as he had to theatre, he would perhaps have featured in the ranks of India’s significant arthouse filmmakers.
“He wrote some of the best films made in this country, but he was immersed in theatre,” said actor Shishir Sharma, who was involved with Dubey’s unfinished film, Raam Naam Satya Hai. “He didn’t have the time or backing to make more films.”
In some ways, fil