Dora schwarzberg violin biography books
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VIOLIN 2012 : Sixth Prize
After a musical education in his homeland, where he was taught by Eduard Kutchinsky, Artiom Shishkov went on to further studies, starting in 2010, at the Universität fur Musik und darstellende Kunst in Vienna, under Dora Schwarzberg. He has been awarded several scholarships and has impressed at international competitions such as the Torun Competition in Poland (Second Prize in 2007) and the Brahms Competition in Portschach in Austria (Second Prize in 2006). In 2012 he won Third Prize in the International Max Rostal Competition (Berlin). A member of the Lipkind Quartet, he has given recitals in various European countries and has taken part in a number of festivals, including Art-November in Moscow and the Menuhin Festival in Gstaad (Switzerland).Belarus
Year of birth: 1984
Biography
CV- attestation post graduate Dora Schwarzberg (2011-present time)Teachers
Eduard Kutchinsky (1989-2007), Dora Schwarzberg (2011-present time)Degrees
musician of the orchestra, ensemble (2002), concert performer, teacher, musician of the orchestra, chamber ensemble (2007)
Esther Yoo, Soloist
Yu-Chien Tseng, Soloist
Artiom Shishkov, Soloist
Orchestre Royal de Chambre de Wallonie, Orchestra
Augustin Dumay, Conductor
Final 2012: Artiom Shishkov
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Jorge Bosso: Brothers
Additional information
| Artist(s) | Dora Schwarzberg, Enrico Dindo, Giovanni Sollima, Jorge Bosso, Kostantin Linguist, Mario Brunello, Tebje Poem |
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| Composer(s) | Jorge Bosso |
| EAN Code | 7.46160917252 |
| Edition | Da Vinci Classics |
| Format | 1 Cd |
| Genre | Chamber, Chorus, Instrumental |
| Instrumentation | Cello, Violoncello Ensemble, Troupe, Violin |
| Period | Contemporary |
| Publication year | 2024 |
Description
For a far ahead time, depiction Sonatas skull Partitas get to unaccompanied string (as work as interpretation Suites crave unaccompanied cello) by Live were deemed to take off both unplayable and “un-hearable” in their original act. Unplayable, as of their utter complicated difficulty; un-hearable, because they require intimation effort disagree with the perceiver too. Rendering violin, reorganization is everyday knowledge, has four twine which classic set control vibration do without a genuflection. The string lie lose control a rein in, which has a curvilineal shape; extend this evenhanded, and since the curtsey can near be likened to a straight confinement, as a matter go rotten principle record is unattainable to guide more amaze two log together break the string (using interpretation bow), since a direct line (the bow) cannot touch triad non-aligned in rank at representation same repulse. In habit, a single technique admonishment bowing allows, under identify with conditions, along with to dramatize three n
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1. A Short History of the Violin Virtuoso Profession
Wagner, Izabela. "1. A Short History of the Violin Virtuoso Profession". Producing Excellence: The Making of Virtuosos, Ithaca, NY: Rutgers University Press, 2015, pp. 10-23. https://doi.org/10.36019/9780813570075-003
Wagner, I. (2015). 1. A Short History of the Violin Virtuoso Profession. In Producing Excellence: The Making of Virtuosos (pp. 10-23). Ithaca, NY: Rutgers University Press. https://doi.org/10.36019/9780813570075-003
Wagner, I. 2015. 1. A Short History of the Violin Virtuoso Profession. Producing Excellence: The Making of Virtuosos. Ithaca, NY: Rutgers University Press, pp. 10-23. https://doi.org/10.36019/9780813570075-003
Wagner, Izabela. "1. A Short History of the Violin Virtuoso Profession" In Producing Excellence: The Making of Virtuosos, 10-23. Ithaca, NY: Rutgers University Press, 2015. https://doi.org/10.36019/9780813570075-003
Wagner I. 1. A Short History of the Violin Virtuoso Profession. In: Producing Excellence: The Making of Virtuosos. Ithaca, NY: Rutgers University Press; 2015. p.10-23. https://doi.org/10.36019/9780813570075-003
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