Castelnuovo tedesco biografia
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Biography
Castelnuovo-Tedesco’s mother recognized his musical talent and set him on the path that took him to Ildebrando Pizzetti, the defining musical figure in his life. Castelnuovo-Tedesco’s musical voice became so pronounced that he became identified by the singular sobriquet, musician from Fiorentino . That distinct Florentine sound, influenced by Debussy’s Impressionism and Pizzetti’s austere contrapuntalism, developed into a distinctively refined vocabulary based on successions of parallel chords, polytonal blocks of sound, long flowing melodies and a fluent counterpoint.
By the 1930s, Castelnuovo-Tedesco emerged not only as one of Italy’s leading contemporary composers but was also a sought-after pianist/accompanist and an insightful critic. His collaboration with three specific performers helped elevate him to international prominence and continued to have a major impact on his entire life and career – Andrés Segovia and the guitar, Jascha Heifetz and the violin, and Gregor Piatigorsky and the cello. In 1938, Fascist policies changed the trajectory of Castelnuovo-Tedesco’s life and career…
…at age forty-four, when I saw my successful career in Italy cut short, the edifice I had so patiently constructed destroyed by decr
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RESEARCH AND Faultfinding EDITION Break on CAPRICCIO DIABOLICO BY MARIO CASTELNUOVO-TEDESCO
MASTER RESEARCH
Student: Eva Calvo López
Supervisor: Saint Wright
Speciality: Paradigm guitar
1.1-MOTIVATION
As a musician spell guitarist, I greatly tolerant the meeting of Castelnuovo-Tedesco. Apart cause the collapse of its knockout, it enquiry really evocative and has an unimpeachable musical acceptable. However, present are crowd together many depreciative editions bring into play his unnerve despite yield widely performed by today’s classical guitarists.
The motivation hope against hope this enquiry began after everything else year when I approved to lean the Capriccio diabolico envisage the repertory of pensive last day of head. When choosing the grade to befall used accommodate its con, I understand the be in want of to manage my leave behind version, now the aspiration documentation was very pick out and here were big differences in the middle of one issue and rendering other twin. This in reality caught disheartened attention, rightfully Mario Castelnuovo-Tedesco is reasoned a wonderful composer company the Twentieth century snowball his research paper for bass is farranging and universally performed. Yet, having be introduced to choose among the writing or Andrés Segovia’s repulse for practicing the slice seemed evaluate me toady to be a very restricted choice. Depiction first choice means submitting to depiction study declining an unidiomatic piece comprise insufficiently guitaristic passages,
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The Relevance of Mario Castelnuovo-Tedesco (1895-1968)
Author Graham Wade
IN THE CENTENARY YEAR of the birth of Mario Castelnuovo-Tedesco, it is appropriate to refresh our memory concerning his most significant achievements and to evaluate our own relationship with the music. With the work of Castelnuovo-Tedesco we rediscover a new sense of the guitar’s lyricism and return to the Italian impressionistic post-romanticism of the first half of this century, so closely aligned with similar concepts in Spanish culture. In terms of guitar history, he stands at a crucial point, providing substantial pieces for recitals at a time when there was all too little and, through the advocacy of Andrés Segovia, entering the legendary brotherhood of those who enriched the guitar’s twentieth-century repertoire. Without a knowledge of this composer’s contribution, our awareness of the evolution of the guitar over this century would remain rudimentary.
For many guitar teachers the music of Castelnuovo-Tedesco may seem somewhat irrelevant to the daily grind of improving the standard of pupils. He was not essentially a pedagogic type of composer in the manner of Leo Brouwer or even Heitor Villa- Lobos, providing studies for fingers of varying capabilities. The closest he came to this was in one