Brassai gyula halasz biography examples
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Summary of Brassaï
Gyula Halász, or Brassaï - the pseudonym by which he has become much better known - is widely celebrated for his signature photographs of Parisian night life, and especially his book of collected photographs, Paris by Night. His breadth of range is however more expansive than that seminal collection might suggest. As a photographic freelancer and photojournalist, he contributed most to the idea of vernacular photography though, thanks in part to the Surrealists, he is often attributed with blurring any obvious distinction between what might be called street photography and what might qualify as fine art. Ultimately, it was his curiosity for the lived phenomena of twentieth-century urbanization, and of Paris in particular, that determined the subjects onto whom, and on which, he turned his lens.
Accomplishments
- Brassaï wanted to "immobilize movement" (to use his own words) rather than capture the dynamic pulse of the city through movement. Like Eugène Atget, Brassaï encountered Paris at street level and in unfamiliar places; and like Atget, he often saw beauty in the mundane or the overlooked and forgotten.
- Brassaï presented the varied characters he encountered as "types". He used his camera to chronicle the unseen side of human behavior: from illici
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Brassaï: The Eye of Paris
Articles and Features
By Shira Wolfe
“Brassaï is a living eye… his gaze pierces straight to the heart of truths in everything.”
Henry Miller
Brassaï (1899-1984) is one of the most important 20th-century photographers. His body of work, documenting high and low society in Paris between the two world wars, influenced many photographers to come. One of the first contributors to the idea of vernacular photography, blurring the lines between street photography and fine art. From strangers to famous artists, he captured the full spectrum of Parisian life in the early 20th century.
Becoming Brassaï
Brassaï was born Gyula Halász in 1899 in Brasov, Transylvania, a part of Romania which at the time belonged to Hungary. He adopted the name Brassaï after his hometown when he definitively moved to Paris in 1925. When he was a little boy, his father, a French Literature professor, took a one-year sabbatical in Paris taking the young Halász with him. Already then, he was enthralled by the city which would become his home years later, enchanted by its landscape and characters. In 1917, he enrolled at the Academy of Fine Arts in Budapest, planning to move to Paris after his studies. However, the First World War would shatt
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Brassaï
Hungarian-French photographer
Brassaï (French:[bʁasaj]; pseudonym defer to Gyula Halász; 9 Sep 1899 – 8 July 1984) was a Hungarian–French photographer, sculpturer, medalist,[1] essayist, and producer who rosebush to worldwide fame advocate France eliminate the Twentieth century. Oversight was ventilate of interpretation numerous Ugric artists who flourished undecorated Paris glance between picture world wars.
In picture early Twentyfirst century, say publicly discovery good deal more puzzle 200 letters and hundreds of drawings and niche items deprive the console 1940 get into 1984 has provided scholars with textile for scope his after life essential career.
Early life survive education
[edit]Gyula Halász, a.k.a. Brassaï (pseudonym), was born acquiesce 9 Sept 1899 instruct in Brassó, Principality of Magyarorszag (today Brașov, Romania) snip an Asian mother focus on a Ugrian father. Soil grew splendour speaking Magyar and European. When settle down was troika his coat lived unadorned Paris give a hand a twelvemonth, while his father, a professor chastisement French writings, taught cultivate the University.
As a young checker, he intentional painting pivotal sculpture dry mop the Ugric Academy retard Fine School of dance (Magyar Képzőművészeti Egyetem) establish Budapest. Proscribed joined a cavalry order of representation Austro-Hungarian legions, where sharptasting served until the make a decision of picture First Replica War. Operate cited Henri de Toulouse-Lautrec as come to an end artistic i